Apparently this is a popular subject for many paintings in the 15th century times. It shows the mythological giant man carrying a child across the river. It was his job as summoned by the elderly people of the town in his pursuit of reaching God. He was a 12 feet tall man that wanted to work for the most powerful being in the world. After spending many years with the Satan, he realized that God was more powerful than Satan and started his quest to see God.
As he was a Giant man, he helped people cross the river by carrying them on his shoulders. Anyways, as you might have guessed, carrying this kid made him so physically exhausting and the river turned unusually violent lending the child to reveal himself as the infant Jesus.
Hence he got the St. Christ(opher- meaning carrier).
Anyway apart from the mythology apart, this painting is done in the fresco technique by the famous fresco master Domenico Ghirlandaio. In this technique, pigments are mixed with water and applied to the fresh plaster made on the wall. As the plaster sets, the chemical reaction makes the plaster become part of the wall. Also, since the painting can only be done on the fresh plaster, the artist has to divide his painting into sections and plan to finish each section in one sitting. This division can usually be made out on a close up view. Fresco paintings have to be transported along with the wall that it was painted on.
Did you notice a flaw in the painting?
Look at his legs above and below water. May be in the mythological books, light does not refract on the surface of water ;)
Sunday, February 15, 2009
Saturday, February 14, 2009
Dagon primordial couple
It is a couple carved out off a monolithic rock – the man and the woman symbolizing equality and complementing each other. The figurines look very alike except for obvious physical differences of the sexes. The woman holds a baby in her back symbolizing her role in the society as the pro creator while the man holds a quiver on his back denoting his role as the provider and protector. In this culture, the equality of sexes was important and hence the figures are even made to look the same height. Another distinct feature is the degree of bilateral symmetry making them each a part of the whole bringing about the integrated and harmonious union of man and wife.
Also the couple is seen sitting on a stool which has legs indicating their ancestors as a way to acknowledging the importance in making them who they are. The interpretation of this piece speaks a lot about the culture and society in that day and age in Africa.
Also the couple is seen sitting on a stool which has legs indicating their ancestors as a way to acknowledging the importance in making them who they are. The interpretation of this piece speaks a lot about the culture and society in that day and age in Africa.
Aristotle with a Bust of Homer
The king of Spain commissioned Rembrandt to paint “a philosopher”. This generic commission left Rembrandt with a great deal of freedom to choose his subject. His end product was an oil-canvas painting showing three subjects connected by a deep philosophical thread.
Aristotle, the greatest philosopher of all times is seen standing with his right hand placed on a bust of Homer and his left hand on his hip touching the heavy gold chain that he is wearing. The interesting aspect of the painting is the third character in the painting, Alexander the Great seen hanging in the form of a pendant from his gold chain.
In the Iliad, Homer explains the many rules of the game of life, the decisions and their consequences in practical life scenarios. Aristotle, the teacher and a contemporary of Alexander gifted him a copy of Iliad that became one of his prized possessions. With these seemingly fragile connections, one of the interpretations of the paintings is that Aristotle by placing his dominant (right) hand on Homer and by placing his inferior (left) hand on the golden chain symbolizes the nobility of Iliad and its teachings in comparison to the smallness of power and wealth of Alexander and his invincible kingdom.
While the intent of the artist can never be proved, and part of the plan was probably leaving the painting for possible interpretations, I found this interpretation very profound and insightful.
Time and again, I am touched by the wisdom that history has left for us.
Aristotle, the greatest philosopher of all times is seen standing with his right hand placed on a bust of Homer and his left hand on his hip touching the heavy gold chain that he is wearing. The interesting aspect of the painting is the third character in the painting, Alexander the Great seen hanging in the form of a pendant from his gold chain.
In the Iliad, Homer explains the many rules of the game of life, the decisions and their consequences in practical life scenarios. Aristotle, the teacher and a contemporary of Alexander gifted him a copy of Iliad that became one of his prized possessions. With these seemingly fragile connections, one of the interpretations of the paintings is that Aristotle by placing his dominant (right) hand on Homer and by placing his inferior (left) hand on the golden chain symbolizes the nobility of Iliad and its teachings in comparison to the smallness of power and wealth of Alexander and his invincible kingdom.
While the intent of the artist can never be proved, and part of the plan was probably leaving the painting for possible interpretations, I found this interpretation very profound and insightful.
Time and again, I am touched by the wisdom that history has left for us.
MET
Finally fighting the inertia and the cold, we went to the Metropolitan museum of art, New York today. It hosts magnificent pieces of arts from across the globe bringing bold histories to the new york city.
Some of the exhibits really picked my interest – it brought my artistic perspective to the fore ;)
More blogs to come on this topic.
Some of the exhibits really picked my interest – it brought my artistic perspective to the fore ;)
More blogs to come on this topic.
Subscribe to:
Posts (Atom)